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Gabriele D'Annunzio























Response to "Rain in the pine forest" of Paolo Gibellini in ALCYONE its introduction, Einaudi:

"A summer rain surprisingly, the poet and the woman whose name is Hermione on the edge of a pine forest not far from Marina di Pisa. The sound of rain, first shave then fixed, varies according to the density of the foliage stamp that it strikes, the voice of the rain meets the chirping of cicadas, which diminishes until it turns off won by Crosc rain increasingly replaced by a distant croaking of frogs. This is the theme of the opera sound, valicante invention of fantasy and desire the most prodigious metamorphic mimesis of real data. The pine forest is beaten by the rain tree felt like an orchestra of different instruments (tamarisk, pine, myrtle, juniper, juniper), each endowed with its own voice, which draws near to that of cicadas, along with choral symphony on which stands in the growing voice of rain and diminishing the voice of ciacel, the only frog. [...] But the theme that is interwoven sound sensitive, connected all'arsura summer implicit prelude of the opera, as arousing the desire for rain, then whence the joy of refreshing. And it is the coolness of the rain, common to plants and to the poet who wanders in with his girlfriend listening to the pine forest, to assimilate the plant's human creatures, that the metamorphosis silvana feel the excitement in the eyes of the poet, Hermione made virente (v. 100), seems to erupt, hamadryad news, of a cortex, and he also feels the same substance of the pine forest. The isolated Taci incipitario imposing a recollected silence and tension auditory (Hear, see 8 and passim), already marks the beginning of an unusual vibration by the human beings who feel the trees extend their life to be. The halcyon panismo is announced in the Fire [d'Annunzio novel published in 1900], "I know that testing is beneficial to us from communicating extensively with one thing on earth. Necessary that our soul becomes, from time to time, similar all'amadriade to hear him move in the fresh energy partner of the tree. " [...] Has reached its climax, feeling panic, Rain, which is circular melody, musically ends with the resumption of a full opening sentence: It's raining on our faces correspondence between D'Annunzio and Debussy



and you can listen to Debussy JARDINS sous la pluie

There are many sites dedicated to D'Annunzio: http://www. gabrieledannunzio.net / index.htm

http://www.italica.rai.it/argomenti/grandi_narratori_900/speciale_dannunzio.htm

http://www.letteratura.it/dannunzio/index.htm

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