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Infinity read by Vittorio Gassman

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THE MOON

the manuscript of THE INFINITE

cited: Zibaldone, Leopardi wrote the book so infinite (La Repubblica, 6 / 9 / 09)


The Icelandic volcano Eyafjallajokul

Marco Lodoli

Volcanoes of Iceland and human misery: he had already written Leopardi and the kids remember better than we

Mark Lodoli

"everything was already planned, Jack had already written everything," he says A fourth boy, and then and there I do not understand what he means. So Simone opens the book of Italian, and then look for the right page reads: "I could not maintain without suffering, because the length of winter, the intensity of the cold, extreme zeal of state, which are qualities that place, was tormenting me constantly, and the fire at to which I agreed to spend a great deal of time, I dried up meat and tore her eyes with smoke ... the terrible storms of sea and land, the roars and threats of Mount Ecla, suspicion of fire, do not ever bother me intermettevano ... "Yes, the Dialogue of Nature and an Icelander, from the Short Moral of Giacomo Leopardi.

"That is the human condition , professor, a lot of pride, a lot of vanity, blind faith in the future, and we forget that we are all like that poor Icelandic fleeing the terrible nature of his island, but only to end mauled by two lions in Africa, after having conversed deeply, philosophically, just distracted by his executioner. "Simone Bravo, then someone who is studying there, thank goodness.

"So, what is happening today in Iceland had been told by

Leopardi, but does not end here, because then there's the broom ..." Link Simona, forward, Surprise. "Strange that no television news has pointed out, but the Icelandic eruption seems really a parable of our great poet, symbolically for us to understand how our human experience.

Nature stepmother fierce volcano, the sky darkening and all our illusions, assuming that all our s'azzerano. 'E the might / right here with measuring / estimating can yet of the human seed, / where the nurse takes, where is less fear, / with a slight motion in a void time / part, and may by motion / still little less than minor Suddenly / annihilate all. Painted in these banks / son of the human race / the magnificent and progressive '.

Here's how this disaster confirmation verses a bit 'difficult Leopardi, Professor. A shake of the earth, a vomitatina of fire and ashes and everything stops, the planes do not fly, jump Affairs, computers are shaking. There is little you can do the steps, we are fragile beings, always in danger, just anything to end up like the dinosaurs. " Well done Simon, you have studied, understood and connected. And remember, dear Simon, to be more like the broom of Vesuvius, who is conscious of living a short time, knowing that exist on the edge of nothing, but every moment ready to color your life courageously, to perfume.

Can A Hemorrhoid Be On Your Taint

Manzoni, the laboratory

Congratulation Notes Pregnance

Mary Shelley's novel, Frankenstein or the Modern Prometo



The event's capital Romantic culture, indeed of modern consciousness, was the centrality and sovereignty that the person hired in the field of 'experience to the point of becoming the source of all reality and of any value. No more standard or limit, either outside or inside, the 'I took the place of God, of which the powers acquired or imitated, beginning that of creation. prometheism This is also the novelty of the subject which, grafted on the eighteenth-century tradition of the gothic novel on the one hand, by 'more of a scientific trial, featuring Frankenstein, the novel was created by a brilliant nineteen, Mary Godwin Shelley, daughter of the radical philosopher William Godwin and feminist writer Mary Wollstonecraft.

Frankenstein, founder of the science fiction genre, was born in 1816 in a race narrative undertaken in Switzerland with Byron and Shelley to mislead the boredom of a 'bad and appeared in summer 1818 with a foreword by Shelley himself (who had become Mary's husband) was very successful, which was not only literary, but also theater before becoming a film.

Divided

three different narrative levels, the first of which is designed
epistolary form, the novel tells how a young man from Geneva, Victor Frankenstein, a lover of natural philosophy and eager for glory, after several searches in chemistry, of 'Anatomy,' s electricity and galvanism conducted at the 'University of Ingolstadt, come to discover the cause of generation and life. Through operations inevitably let down 'imagination of the reader, in his secret lab Frankenstein creates an artificial man, a "monster" by feelings but by myths' looks disgusting, whose views are unacceptable to its creator, now repented of his ill-fated actions. The monster, likely unnamed in the novel, with Lena recounts all the stages of the development of 'humanity, beginning from' learning the language and the discovery of fire, to adapt to 'unknown environment in which it is found to exist. But nothing remains of a child, lonely and unhappy until the pain of the company in need of human beings, but is invariably rejected by all and fled in horror. He then changes his mercy in a furious hatred against 'humanity, especially against Frankenstein: first he kills his brother and then sent to the gallows good home unfairly blamed for the crime. It also imposes a Frankenstein build him a mate with whom to share at least the 'existence, according to an' invention that is very clearly a parody of the biblical account of creation of Eve. Frankenstein refuses at first terrified, later, moved to pity by the arguments of the monster, accepts and begins the construction of a female, but in the end, overcome by disgust, it stops and leaves' s work. He then unleashes revenge already threatened by the monster who strangled Frankenstein's best friend, kills the girl beloved by the scientist on the very day when the two were married. Accomplished 's last crime, the monster flees, pursued from Frankenstein to the North Pole Ice
Here the scientist, is shipwrecked and frostbite, is rescued on the ship to an English explorer who, before dying, tells her story . At the hapless monster, after he visited the remains of its creator, not only can destroy. Despite some ingenuity and some straining, Mary Shelley's novel not only attracts, but surprisingly, the same player today. All 'original' invention, the attempt to show the world through non-human eyes, with effective descriptions and natural landscapes marked by the romantic sublime
and corresponding to 'autobiographical experience of the' author, the clarity and to 'immediacy of the style it should add a capacity to anticipate the time that it would not be an exaggeration to define prophetic. It's hard not to think about the 'genetic engineering, for transgressions that it performs or promises generating beings without identity or history, when the monster of Frankenstein reflects: "But where' they were my friends and my relatives? No father had watched over my early years, no mother had blessed me with her smiles and her caresses, or, if the 'had done all my past life was a dark spot, a gap that does not make out anything. "
The book, whose full title sounds Frankenstein or the Modern Prometheus , is a representation involved, but also explicit condemnation of scientific hubris. The plan is on the narrative sequence in black and mourning the effects of the discovery of Frankenstein. It is in the reflections or statements containing "Learn from me, if not by my recommendations, at least by my example, how dangerous is the 'acquisition of science," said Frankenstein, taking u na millennial wisdom, pagan no less than biblical. And again, shortly before his death, then in a kind of ideal text: "Seek happiness in tranquility and avoid the 'ambition, even if it is only the apparently innocent to stand out in science and discoveries." D 'Moreover, the monster himself wishes eventually reduced to ashes because his remains are not to help "some other curious and sacrilegious wretch" who wants to create a being like him. That the 'utopia of science ends in tragedy is an' admission to which they were forced even the most proud members of romantic rebellion.

[Corriere della Sera, 28/10/2002]

• THE STRANGE STORY OF THE WRITER AND POET NOIR REBEL

S 'cultural encounter in the living room of his father's Mary and sparks fatal. Only two years later was married. One of the most famous love affairs, most passionate and the most senseless of Romanticism. During their wanderings focus events that barely contains a lifetime of

ELIZABETH RASY Of all the problems that plague its incipient old age - a sullen wife, two daughters moody, physical problems and the money, the inaction and malignant tenacious of money - between all these detestable troubles that threaten his austere temperament of a philosopher as unscrupulous in the passions, his daughter Mary had no place to be negligible.
William Godwin was worried when the teenage girl had begun to show extraordinarily bold, imperious and too active mind. And, worse, with an invincible determination in everything he undertook. Godwin to the study of human nature, physiology social contradictions of the law had devoted all his talent. Even a marriage, what, precisely, with the child's mother Mary, a woman 's exception, thinker like him, as he believes that the conventions were going with a look of pitiless lens' magnification. But the mother, the 'other Mary Wollstonecraft, the famous author of "Vindication of the Rights of Women," died in childbirth thirteen years before, at the end of the tumultuous century, that the eighteenth century revolutions and the Enlightenment. He this' rebellious orphan did not know how to keep it at bay: this is why he sent away, far away from the stepmother who hated by petulant sister Jane daughter of the second Mrs. Goodwin and Fanny, the 'illegitimate by his first wife, melancholy and indolent. Far from even those poets, Coleridge, for example, who attended his house and the flared head. But when, after living away that would blunt the character, sixteen year old Mary returned to London, Godwin soon realized that her daughter was not changed, indeed. While the stubborn daughter was away, a young man barely twenty years old, an ardent admirer of "Survey on political justice ', the most important work of William Godwin, the disciple had said in a letter he had received permission to attend it. 'S first year, 1811, for he had written a pamphlet entitled "Necessity of 'atheism', the boy had been expelled from University College, Oxford. His father, Sir Timothy Shelley, was furious - not only hated the rest of the pamphlets, but also novels and poems that the first-born Percy Bysshe persisted in writing since she was ten years old. And the more he became furious when the son who followed the libertarian principles of Godwin and Tom Paine, after getting her pregnant, had married a sixteen year old Harriet Westbrook.
Two fathers in anguish, two rebellious children and stubborn: This is the premise of one of the most famous love affairs, most passionate and most senseless of European Romanticism. Because when, in 1814, Mary returned Percy met at home in the living room of his father broke a spark between the two fatal. The poet realized this immediately, as he wrote some time later a friend: "In June I was in London with Godwin ... There I met his daughter Mary. 'S originality and grace of the personality of Mary appeared on his own movements and tone of his voice. L 'irresistible impetuosity, and the sublimity of his feelings were manifested in his gestures and his looks. Com 'was persuasive and com' was his pathetic smile ... In a short time to devise a 'burning passion to have this priceless treasure. In my mind this feeling took a variety of forms, myself concealed the true nature of my condition. I celarla also tried to Mary, but without success. " What
Shelley, a man of great enthusiasm and completely free of hesitation, she tried to keep hidden his passion to the girl is rather doubtful, if before the end of that month of June, the two became lovers. Probably, however, both struggled to keep hidden so unseemly love of his wife and his large group of her family. But even here the 'failure was total. All responded. Godwin spoke with fiery words to his followers: "I never thought that you would sacrifice your personality and interest, the happiness of a worthy wife and innocent and spotless reputation of my young daughter to 'violent impulse of passion. "
Shelley said he understands, but which Mary Harriet, already the mother of a child and pregnant with her second child, she spoke directly with the despair of a betrayed woman, she was ready to give up. It was then that the poet understood that to realize their love did not stay that way: the escape. was difficult to convince small Godwin, not yet seventeen, in a gesture so extreme? Maybe Mary reluctantly. But when Shelley came to her with a dose of laudanum and a gun declaring himself ready to commit suicide if she had not consented, he was quick enough in putting aside his hesitation, the 'filial love, reputation, moral scruples. It was fixed date, 28 in July, was found a partner, sister Jane. That same
July 28 the two lovers decided to keep a diary common. Shelley wrote the first page: "The night before this morning, since this was all decided, I have ordered a carriage to be ready for four. Vegliai until the 'light and the stars paled. Finally came the four ... I went, I saw her, she came to me ... Some preparations must be completed and she left me for a short period of time. I also find it appalling that time, there seemed to fiddle with their life and hope; few minutes passed and she was in my arms. We were saved, we were on the way to Dover. " The flight ended
Only two years later, December 30, 1816, when Mary and Shelley were married. During that time, spent in wandering madman between 'England and the Continent, focused events that a' whole life barely contain: Mary has two children in the first dies giving birth Harriett's son Percy, sister Jane becomes the 'lover of Byron, Mary wrote the book that will give everlasting fame,' Frankenstein 'Fanny,' s other sister committed suicide, shortly after Harriet committed suicide, Shelley pursued by debtors and by the fury of the father loses custody ignominiously the children of first marriage.
Only the philosopher Godwin does not seem to lose the phlegm of inveterate thinker. When he finally becomes Mrs. Mary Shelley, wrote to his brother: "I do not know if you remember the miscellaneità of my family, but at least you may recall that I only have my two children: a daughter by my first wife and a son from my wife today ... The news is that you should report that I accompanied the girl to 'altar some' time ago. Her husband is the eldest son of Sir Timothy Shelley of Field Park, County of Sussex, Baronet. Thus, according to the vulgar ideas of the world, married well and I have great hope that the young person is a good husband for her. You ask, I think, how a girl of limited means to do such a good marriage, but that's life. "




[Corriere della Sera, 22/07/2004]

• Dr. Frankenstein and 'really existed. SHELLEY IS INSPIRED BY THE 'ALCHEMIST TO A GERMAN

London was a German alchemist to "suggest" to the creation of Mary Shelley's Frankenstein, one of the most' popular literature of the "Gothic Revival". The "mad scientist" that would be a model for the English writer Konrad Dippel, who lived between 1673 and 1734. The claims Radu Florescu, a professor of East European history at Boston College. In an essay that will be 'published in early October under the title In Search of Frankenstein

, Florescu says he is convinced that Mary Shelley was to knowledge of stories and legends around Dippel during a trip to Germany in 1814, along with her future husband, the poet Percy Bysshe Shelley. From the notes of writer at a later book of travel ( History of a six week 's tour ), the American professor has discovered that Shelley visited a castle near Mannheim, known as "Castle Frankenstein, Dippel was born where . "At the castle. Stated Professor Florescu. Visitors were informed about the stories about the mysterious Dippel. The writer, who died in 1851, said that she had taken the character of Frankenstein body suddenly in 1816 after a nightmare evening, while Shelley and another famous poet. Lord Byron. staying Lake Geneva, but that 's an expert on European history is a romantic fiction: the "themes and thoughts" on the scientist from' artificial life in a monstrous humanoid would already 'been inculcated in her from the trip two years first in Germany. Although it is now 'known only by experts, Konrad Dippel had a certain notoriety in life' for its dark, sometimes macabre research on how to steal the secret of 'eternity' and starting to produce gold from base materials. Even Catherine II, Empress of All Russia, the call 'to the court to know more' of his experiments that apparently also involved the theft and the cooking of corpses.

[Corriere della Sera, 23/09/1996]

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2009 2010 New Five - Foscolo

UGO FOSCOLO ,
go to the link:

http://quintalgia.blogspot.com/2008/10/su-foscolo.html

"Story of a suicide announced "- Enzo Siciliano
Republic - March 23, 2004 page 39 section: CULTURE

The last letters of Ugo Foscolo's Jacopo Ortis constitute the 'novel of Italian incunabula: incunabulum say in the etymological sense, a first printed pattern played with strong close to the original manuscript. In the pages of the novel, a book of letters interspersed with narrative connections drawn by the hand of the recipient, leave to alert the 'smell of' fresh ink, the wax which sealed envelopes, there are still traces of crumpled paper from the hasty hand of the courier mail. There is the 'smell of tears of the unfortunate boy who wrote to the fury of preparing to die. Jacopo commits suicide - and the novel is the story of a suicide announced - as may happen to 'exit from' adolescence, an excess of vitality, so that the world does not meet your requirements, because it appears hostile to your wishes, and are desires that are beyond your dreams. In high school we were told that James kills himself for love, for love and that suicide was the disease of the century: see how the disease had been described with analytical precision Werther in Goethe's exemplary text for our Foscolo. The fact is that in Jacopo Ortis (now Republic offers a selection of letters by Anna Modena) that evil is not projected as an abstract evil. Foscolo was the race of Kleist, of Pushkin: he was contemporary of Beethoven who composed and published the String Quartets, Op. 18 between 1798 and 1801. And that is why, even from outside 'idea that the story, dictated by the passions of youth poet Tomb, is a slavish imitation of Werther, for that matter, because the evil there is projected as the abstract, it is the' incunabulum of the Italian novel, and is at the root of our narrative tradition. That evil is seen as Foscolo a concrete outcome of history. Crosses, in 'existential misery of James, in need of a God who disappoint me if it senses the proximity, the strong political disappointment, to' helplessness in the face of fierce proven "sale" of Venice to the Austrians by Napoleon -, settlement of 'extreme residue of Italian liberty, the echo of a distant reality of' autonomy over the centuries it was kept under low flame species. Napoleon arrived with its promise of liberty fraternity equality for all Italians, but promises were made of petrified gaze meduseo reasons of state. And Venice was mistaken for a shred of peace, forgotten soon regardless. The famous opening words of the novel, marked almost in blank verse - "The sacrifice of our country is consumed: all is lost, and life, even if it is granted, there will be crying for our misfortunes, and our infamous' - which does not appear in early versions of the printed book, the Bolognese pirate, counterfeit additions and corrections that would make it less stodgy editorial censorship, is present in 'desired and revised edition 1802 by' author, that he sent after him to Goethe In a letter dated January 16, "will receive the first volume of my little work to which perhaps gave rise your Werther. I grieve that you do not see if not the first acts, so say, the tragedy, the latter is the more real and warmer. I painted myself, my passions and my time under the name of a friend of mine ammazzatosi in Padua. No more I do not have merit in the 'invention having taken everything from the truth, my fellow citizens pray my style to a' lack of models for work where I had to get me my own language ...». The real Jacopo Ortis, student at 'University of Padova - frequented by Foscolo -, was killed with two stab wounds to the chest, leaving no word to justify to friends, relatives, a gesture so extreme. That mystery, that courage were an inspiration for writers. A possible Italian novel had distant examples, in Boccaccio and the Renaissance novelists - were narratives of comedy, witty life. Then, with their teaching on the actual reality, for a novel can overlook sponsoring the shadows of the great historians, Machiavelli and Guicciardini. In Foscolo, c 'was close, the' example of Alfieri with the 'tragic courage of its existence. Alfieri had written his own life in the years when Foscolo to put his mark Ortis. Life was published posthumously in 1804, when the already 'knew Ortis success. The two books are the first listings of modern fiction. And James, in this context, it is key to his character, according to one writer 's today, Aurelio Picca, an old male and Outdated. Abandoned to 'instinct, the uncertainties of interior lights, the evil of his life turns into an excess shoreless for civil and political vitality 's investment. The passion and enthusiasm for home Teresa, the woman he loves and the practical interests of a family in which politics is mixed, prohibiting him, led him to commit the ultimate gesture. But labor is not so straightforward: bubbles in his complex life, ardent, full of sensuality and physicality that were its author, a life always uncertain and only guided by the blinding light of a vocation. Foscolo was his burning of the enchanting beauty and youth. One of our classics, perhaps with Nievo that he was devoted, is one in which - read it in the magma of the diamond her letters - never realize how hot the 'smell of broken life, just the' smell and perfume. Uncertainties and contradictions of existence the mark. Journal of 'Napoleonic army, wounded in battle, the' love of liberty made him a perennial disobedient chased by calumny, until he decided to abandon the 'imitating Italy and take refuge in London, always looking for novel, in the semblance of Didymus Cleric Sterne. But his sensitivity, his intelligence, his clarity of expression prompted him to draw the 'incunabulum I said. Pros and cons of our novel are all crowded in Jacopo Ortis: an uncommon lyrical force of writing, and in this no compulsion in predetermined syntax. The characters have depth because you put the focus of historical reality: their suffering and their tragedy is marked by the contingencies of 'labor where they all had a lot of casualties. The storm of the Napoleonic wars is more than a canvas background: instead makes everything uncertain, wounded and suffering. On the one hand, the 'vertical height of feelings that have no name, from' other things, the giddiness of those who live those feelings at being imprisoned by the facts. Since the conflict was born exactly a novel was still exemplary. -

SICILIANO

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