THE SCAPIGLIATURA
The SCAPIGLIATURA arose in Italy after 1860 and ended roughly in 1875. Including, strictly speaking, a group of poets and writers living in Milan or Milan (Emilio Praga, Arrigo Boito, Iginio Tarchetti, John Camerana, Carlo Dossi), which later were combined some prose writers Piedmont (John Faldella, Enrico Calandra) and to which you can add the juvenile Verga
novels and some poems of Carducci. The term Sunday, January 24, 2010
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"scapigliatura" 
was used for the first time in a novel bicycles Arrighi, as the French translation
"boheme" was used for the first time in a novel bicycles Arrighi, as the French translation ; as literary phenomenon was essentially an expression of bourgeois anarchism: the bohemian intellectuals who were in fact did not accept middle-class facilities, where they saw the denial of their ideals of art and the values \u200b\u200bthey believed. It was, however, a sterile position, as they were unable to propose solutions. The Scapigliatura was essentially a fact of Milan, because Milan was the most advanced cities in economic and social where the old world views and social relations were rapidly melting away. Here the contrast between the bourgeois intellectuals and dreamers were more harsh. solutions were also taken artistic anarchist: the bohemian sought a new art with which to say the new feelings they felt, adhering to the modern society that attracts them and at the same time, they refused. So approached the French damned poets (which takes into account the horrible objective, not Relationship of Romanticism, the horrible aspects of the reality of their time) and the French naturalists who wanted the representation of reality. This taking elements from foreign cultures (in truth a little time and then artistically sterile) is a good thing, since it corresponds to the need to de-provincialize Italian culture, bringing it into direct contact with the most significant cultural foreign, especially French . Another important character was the complementarity of the arts were no more isolated arts, like literature or music, but the artist had to know the range of artistic expressions and merge, in literature, painting experience, the music, in short, the expressive values \u200b\u200bof culture.
"The colors, smells, shapes are hidden, narrow eapporti with music, and the time will come when you will play and sing a bunch of real flowers, a tray of sweets, a statue, a building, as now a sheet romance or a melodrama spirit, open on the lectern. " (C. Dossi,
Blue Note) For their literary, bohemian not tolerate the foreclosures, the reality is sung in its aspects, "not only the sky but also the mud", the investigation is extended to the subconscious, the predominant themes of literature
noir, there is a general love for the life of dissipation and vice, is viewed with sympathy the suicide. We challenge the bourgeois values \u200b\u200bof religion, homeland and family. The language used is simple, spontaneous, full of grafts from the dialect, but intentions are not popular: the bourgeois values \u200b\u200bthat fight does not want to rely on the quality of the folk world.
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