For Calvin should speak of a narrator of many novels, including the realistic genre, the fantastic and experimentation, he has also been a formidable writer and intellectual attention to world events, which often intervened in the newspapers, along with Pasolini.
The path of the nests of spider , written in 1947, that is when the author was 24 years old and already was cooperating with the Einaudi publishing house dealing with the press office and advertising. E ' a neo-realist novel system (the current that dominated the postwar period, between literature and cinema), mal'approccio author is entirely new to history: point of view of the narrative is that of a child, a volunteer regression that allows you to tell the partisan war from a considerable distance and without ethical tools Pin has defined a decade, lost his parents, lives with his sister who is a prostitute, he worked at a shoemaker's shop while the owner is in prison and want to please the great, as to make a bet that cost him dear: to win, steal the gun lover of his sister, the fabulous and hides in the P38 His secret place, the path of the nests of spider that is for him a refuge and a "fitness" of cruelty. Here applies the law of nature wild and untouched, hence the child do to replicate what he sees big, it applies the law of the jungle killing frogs, spiders and crickets. Pin the stunt gun leads to jail, and then, after evasion with a partisan Red Wolf, in the heart of the resistance in the mountains of Liguria.
A novel anti-rhetorical and sour. Calvin takes a humble yet accurate and objective language, and also describes the violent aspects of the Resistance.'s Novel Calvinoha a position eccentric with respect to the affirmation of Neorealism in those years. The characters portrayed are humble, there is only intellectual, who is in charge a bit 'to sum up the whole moral of the story, it is the brigade commissar Kim, a young man a little' doctor and a bit ' philosopher. He understands, with the force of his dialectic thinking, which in the Resistance, there are many souls, but also a common denominator, a very strong motivation: hope, for all of a ransom. The narrator fantastic
The Nonexistent Knight
Our Ancestors , confirms the vein of fable Calvino.Il novel tells the story of Agilulfo
, paladin of Charlemagne, who goes around, sleepless, in a shiny white armor, inclined to action to perfect and nobility of mind, ready to right wrongs, all spirit and rationality, but with a flaw: there is, or rather its texture is nothing but his empty armor. love with Agilulfo Bradamante is admired for perfection of the spirit of the knight and tired of the heaviness of carnal men. Other significant characters of the story are: the squire of the knight, Gurduloo, which is complementary, ie is the whole body, flesh and nature, without a shred of conscience; Rambaldo, a fiery young, motivated by lust for battle and of love, who wants to avenge his father killed by the infidels; Torrismund in search of their origins The plot is revealed by the nun, Sister Theodora , writing inside of a convent, which will be revealed then, in the end, none other than Bradamante and has as its background the war between Christians and Moors. Behind the pleasure adventurous and funny at the same time of the story, under the apparent amusement of the author, emerges the anguished portrayal of modern man, his inability to be authentic, the wavering and uncertain identity of each of us, the escape into neurosis, the form of its social role, or worse yet, unconscious. A simple
only apparent, that of Calvin, a smile that reveals the plight of modern man, the universal escape from themselves, the senseless struggle of our lives ( "There's no sense in anything," said Torrismund ).
The story is accompanied by notes on writing smart, its motives and its difficulties, made by the narrator, Sister Theodora, which produces such a s ottotesto on the role of the writer, concerning the narrative, about the potential of writing and the relationship between writing and life.
The language used by Calvino is an Italian "medium," embellished with words from the specialized language associated with various disciplines (gastronomy, ancient armor, etc.)..
Videos Cult Book on Nonexistent Knight:
http://www.youtube.com/watch?v=QhInPTESfE8
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The theme of perception and 'a central element
of Palomar, Italo Calvino.
Take for example the third story of the book, 'The sword of the Sun': "... The reflection of the sea is formed when the sun is dying down: a spot beam from the horizon goes to the coast, made by many waving glittering, sparkle and shimmer in the dull blue of the sea darkens his net ... It 's the time that Mr. Palomar, a man out of time ago his evening swim. Enter the water, remove from the shore, and the reflection of the sun becomes a shining sword in the water that stretches from horizon to him. Mr. Palomar swims in the sword or rather the sword is always in front of him to retract his every stroke, and she never allowed herself to reach ... As the sun drops into the sunset, the white-hot glare turns d ' gold and copper. And everywhere Mr. Palomar moves, the culmination of quell'aguzzo golden triangle 'him the sword follows him, pointing him out as the clock hand that has to pin the sun ...'. Calvino's reflection about the theme of ' illusion of mental images, originating from the light signals that affect the retina and turned into electrical impulses along the optic nerve and only then reconstructed by the brain matter.
"This is not the sea, not in the sun - think the Palomar-swimmer but inside my head, into the channels between the eyes and brain. I'm swimming in my mind, and 'only' that there is this sword of light, and what 'that attracts me and 'just that. " The sword of the sun and 'really an illusion, an image constructed by the mind, which does not match anything. There 's a piece of
The Assayer Galileo Galilei which has a strong analogy with the text of John Calvin. The song is featured in Section 21, in which Galileo discusses the illusory nature of comets. Incidentally, Galileo had a theory incorrect these celestial phenomena. For Galileo comets were optical illusions, solar reflections in the high atmospheric vapor; made, would almost say, of such stuff as dreams. Illusions, says Galileo, in the end created by our senses, produced by the 'body sensitive '. If suddenly there was this taken away, so here that would "lift up and annihilate all these qualities, '" nothing more than mere names, "perceptions without an external reference. As an example Galileo uses to describe the illusory nature of these celestial objects? That of the 'sword of the sun'. ********************
See also this excellent
HYPERTEXT Calvin
with many quotations and a biography / history go to
ITALICA RAI Department narrators of the 900
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